These Fabrics Were Inspired by Baz Luhrmann’s New ‘Elvis’ Flick

Gerard Ortiz

Earlier mentioned: Catherine Martin’s Bengal Tiger cloth on the established of Elvis in a recreation of the Intercontinental Hotel, the King’s desired resort.

ICYMI, Baz Luhrmann’s Elvis gets its huge release in the U.S. today, and with it comes renewed curiosity in Presley’s life and design and style, from the bedazzled jumpsuits to shag carpet residing rooms. All those searching to carry a piece of that vibe house are in luck, then, as the film’s Academy Award–winning costume designer, Catherine Martin, has just teamed up with Mokum for a new textile collection impressed by the glittery flick.

Martin’s line, dubbed the Royal Menagerie, contains materials and wallpapers influenced by the late rocker and the decadence of the ’70s. Several of the offerings have a much more maximalist seem to them, setting up with Royal Peacock, a wallpaper depicting the regal blue birds surrounded by tropical plants. The avian critter was a reoccurring motif in Presley’s world, probably most notably in his Graceland home, exactly where large stained-glass peacocks separated the residing place from the new music home.

a living room with white seating with colorful stained glass windows depicting peacocks
The Graceland living space established. The stained-glass home windows inspired Martin’s Royal Peacock wallcovering.

Courtesy of Mokum

“There were being lots of tales encompassing why the peacock was a reoccurring theme,” Martin, who is also Luhrmann’s imaginative and daily life husband or wife, tells ELLE DECOR. “The archivist at Graceland explained it was a symbol of everlasting life in some religions. [Elvis] was a very religious particular person, so that is very probably.”

a blonde woman with glasses and leopard print skirt sits on a bed with gold pillows and a gold tiger striped bedspread
On the Elvis established, the Global Hotel’s bedspread was built with Martin’s Bengal Tiger fabrics.

Courtesy of Mokum

Other styles cite Graceland’s renowned Jungle Area as a supply of inspiration—a room that feels like a time capsule, from the (sure) carpeted ceiling to the indoor waterfall. The aptly named Jungle Area sample depicts layers of tropical bouquets and leaves on cloth. The King of Rock and Roll’s ceramic chimp statues, in the meantime, were being a point of reference for Monkey Enterprise, a textile featuring a group of apes scaling a leafy tree.

a blonde woman with a leopard print skirt stands in a wood paneled room with green carpet
Martin on the Jungle Home set, a space that encouraged some of the fabrics for Royal Menagerie.

Courtesy of Mokum

Major cats are a further prevalent topic in the Royal Menagerie selection, like a velvet jacquard tiger print—an homage to Presley’s popular tiger jumpsuit—a colorful jacquard leopard print, and the illustrative Kat King velvet, a tribute to a single of the rocker’s early nicknames. A lot more subdued options include things like Grande Boucle and Monarque. The latter, a velvet, usually takes cues from the inside of Presley’s tour bus.

inside an all red tour bus with red seats and walls
Within the tour bus on the Elvis motion picture set, which served as inspiration for Martin’s Monarque velvet.

Courtesy of Mokum

Graceland’s wood-paneled-fever-desire origins go again to Presley’s father, for every Martin.“The story is that his father noticed this tiki household furniture in a window in a local retail outlet in Memphis,” states Martin. “He arrived home and said, ‘Oh my God, I have just witnessed the ugliest furniture I’ve ever witnessed in my lifestyle.’ So Elvis went and bought every little thing as a joke.”

a carpeted dimly lit room with a sunken black sofa and a glitzy chandelier above
In the Worldwide Resort established for Elvis, the sunken sofa is upholstered in Bengal Tiger textiles.

Courtesy of Mokum

It’s correct, then, that the collection focuses on storytelling, whether or not it’s the famous narratives behind just about every design or the new everyday living they’ll acquire on in living rooms and foyers across the place. And, additional critical, the ’70s aesthetics add a bit of pleasurable. “It feels a little bit tongue in cheek,” provides Martin. “There’s a sense of humor, a feeling of exciting and exuberance. It does not acquire by itself far too severely.”

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