When a character’s hairstyle on a new clearly show receives the royal treatment, you know it truly is heading to bring the drama.
Marie Antoinette, a new collection on PBS, follows Maria Antonia‘s marriage to the King of France Louis XVI and their extravagant life-style ahead of diving deep into their downfall during the French Revolution in 1793.
And since the series showcases the internal workings of France’s last queen (played by Emilia Schüle), what superior way to spotlight the style icon than by supplying her, um, hair to die for? Head hairdresser Sébastien Quinet solely informed E! News how he honored the late royal by keeping legitimate to the procedures and beauty ideals of the era.
“It was not just any time interval with an insignificant character,” he reported. “It was the Marie Antoinette.”
He pointed out the extreme class of 18th-century France and how appearances were being right linked to social hierarchy, adding, “It symbolized wealth and ability.”
“In this circumstance,” he continued, “the increased the hair, the higher social standing.”
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And this focus to detail is specifically recognizable in Marie’s character, as Sébastien deliberately switched up her appears to be the much more she progressed into the queen of fashion—a title she attained through her reign.
“They develop into far more stylized and better with her level of popularity and rise to power at court,” he reported of the at any time-shifting seems to be. “Below Louis XVI, women experienced hairstyles with small quantity. It was Marie Antoinette who imposed the vogue of grander hair, tiny by very little when she arrived in France.”
And if you spend notice carefully, you are going to come across that none of the other people upstage Marie. As the hairdresser put it, “There is often just one ‘queen’ headpiece that the other headpieces look to adhere to.”
Sébastien also spelled out that he not only researched paintings of the era, but he was also properly-versed in the approaches hairdressers applied back then.
“They experienced hair irons that would be place around a flame,” he defined of the previous-college strategies. “Understanding the textures and applications they have been performing with, I could mimic what record emphasised when it arrived to Marie Antoinette’s hair.”
Of study course, Sébastien set his very own “ingenious contact” to the larger sized-than-lifestyle headpieces found through the exhibit, like replicating the textures in the paintings he referenced and introducing them to the seems to be. And it was no tiny feat either, as he built 56 wigs for the solid and rented 80 for the extras.
There is certainly no mistaking that, for Marie, getting ready to place her greatest experience forward wielded electric power. As Sébastien eloquently put it, “Amongst the French Court docket, trend, hair and magnificence ended up everything.”
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