LSU Textile Museum weaves Mayan traditions into current exhibit |

Gerard Ortiz

From 20th century aprons to commodity bag dresses, the Textile and Costume Museum at LSU explores fashion and textiles as a result of the ages.

The museum’s exhibition “Trajé, Maya Textile Artistry” is delving deeper into history. In the Human Ecology Developing on campus, the show focuses on the trajé, or traditional apparel, from several Mayan villages in the Guatemalan Highlands. The textiles and artifacts offered at the museum were being donated by Travis Doering.

“For campus, (the museum) presents a glimpse into rural lifestyle, not just Louisiana, not just the U.S., but broader,” said Pamela Vinci, the museum director. “It’s quite instructional.”







LSU Textile Museum’s recent exhibition “Trajé, Maya Textile Artistry,” is delves into the textile history of the Maya culture. The show closes Aug. 30. 




Near the entrance are two stylish garments, each individual of which are inspired by the colours, texture and quantity of regular Maya clothes. The rectangular-patterned Maya headdress created by Casey Stannard follows the coloration coordination of yellow, maroon, blue and black.

Stannard’s practice of looping created a voluminous search to the piece, when the major cotton yarn types texture. Jenna Tedrick Kuttruff utilised Maya materials from Guatemala to design and style a slim, purple-patterned costume, with a prolonged purple cape draping around the piece.

Photos taken by international photographer Connie Frisbee Houde capture the style and weaving traditions of Mayan people today in Guatemala and guide to the major portion of the exhibit, the place guests study extra about the significance of trajé to Maya lifestyle.

Working with the iPads offered by the museum, visitors can uncover the symbolism powering layouts of certain clothes pieces from various Guatemala cities. One particular women’s outfits piece from the Guatemala town of Zunil incorporates a cross sample, representing the cardinal factors of north, south, east and west.

“There’s heaps of history information,” stated Vinci. “The iPads incorporate a single more component of that, to help educate the visitor.”

Intricately made huipils, or 1-piece garments, from various Guatemala towns hang on the walls. Women’s apparel in the museum involves headdresses, blouses, belts and skirts, when trousers and ceremonial head wraps can be found under men’s clothes.

Blouses and boys trousers are shown for children’s outfits. The museum reveals the resources and equipment utilized to make Maya textiles, some of which are cones of unspun cotton fibers, a spindle of gray wool and tie-dyed warp yarns made use of for weaving.

“Trajé, Maya Textile Artistry” isn’t the only exhibit at the Textile and Costume Museum. In a further home is a graduate student’s thesis challenge, in which adult males and females from Louisiana were interviewed about their heritage and family everyday living. A designer utilized this background information and facts to develop outfits parts that mirrored their upbringing.

The museum’s past exhibits have concentrated on themes like Southern quilting the importance and employs of commodity bags in the mid-20th century and women’s aprons in the 20th century. Vinci mentioned she hopes the museum’s seem into historic vogue and textiles evokes learners.

“If anybody is fascinated in any distinct era, any certain designer, we have many of them,” stated Vinci. “We do not have all designers represented in the museum, but of class, 1 day we hope we will.”

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